Friday, November 20, 2020

Our Final Destination: Japan

Hello, you guys! It’s been a while, but I am finally back. Unfortunately, this will be my last post on The World's Ensemble. The last place that we will be visiting today is Japan. Japan is a country that I really would like to visit someday so I decided to make my last blog be about a country that really interests me.

https://www.google.com/url?sa=i&url=https%3A%2F%2Fwww.state.gov%2Fcountries-areas%2Fjapan%2F&psig=AOvVaw1ikMgU0CdmYWs7mNh5FCc5&ust=1606019387713000&source=images&cd=vfe&ved=0CAIQjRxqFwoTCJCAzM3mku0CFQAAAAAdAAAAABAM

Japan has many music genres but the first one that I will be talking about today is classical music. Classical music has strong influences from China. According to Britannica.com, evidence of dotaku bronze bells that date back to 300 BCE resembled Chinese metalwork. In the sixth century AD, Japan was introduced to Buddhism through Korea which led to the shomyo genre. Shomyo is Buddhist chanting music that resembles more with the Chinese based on the notes, scales, melodies, and rhythms. These chants start off with a soloist who sings an opening phrase establishing a pitch for the other monks to join him. Buddhist chants that are called syomyo have two Chinese scales called the ryo and the ritsu and usually start off slow and speed up towards the end of the song.



Another Japanese folk genre is gagaku. This genre is different from shomyo includes dancing and singing. This genre was performed in the Imperial court for many centuries and set the idea of nobility for other art forms such as poetry and folk music. Gagaku has three parts called saibara, komagaku, and togaku. Saibara is Shinto religious music and komagaku and togaku come from Korea and China. The instruments that are used in gagaku are the oboe (hichiriki), transverse flute (ryuteki) and the mouth organ (sho) and percussion instruments called the kakko which is a small drum, shoko, and taiko which were all about of the ensemble style in the 19th century. The classical dance in gagaku is called bugaku and it has four styles: civil dances, warrior dances, running dance, and dances for children. At the end of the 12 century during the Kamakura period gagaku was rarely performed in the courts and were performed in the aristocrats’ homes.



Bunraku is a traditional theatre genre that uses puppets to narrate a story. This name comes from a puppet master, Uemura Bunrakuken, who founded the theatre of Osaka. This theatre is where puppet performances were held. Puppets are half live sized dolls that range from one foot to four feet. The puppet masters dress in all black to make themselves invisible while they are moving the dolls. There are one principal operator and one or two assistants that help the operator to help make the puppet's facial expressions. There is one narrator who speaks for all the puppets. There is also music accompanying the performance that paces the narration. Stories are often on themes of love, heroic legends, and tales based on historical events. You can still see the performance of Bunraku. These days, they are performed in modern theaters and have one performance in the afternoon and one in the evening. You can watch Bunraku in the National Bunraku Theatre in Osaka or in the National Theatre in Tokyo.



https://www.google.com/url?sa=i&url=https%3A%2F%2Fwww.japan-zone.com%2Fculture%2Fbunraku.shtml&psig=AOvVaw3vOjiCCBsHmXz5FHedBlHE&ust=1606019267952000&source=images&cd=vfe&ved=0CAIQjRxqFwoTCJj_rZbmku0CFQAAAAAdAAAAABAD


Now for something a little more modern, J-pop. In the Taisho Period which lasted from 1912 to 1926, Japanese popular music received its influence from Jazz, Blues and strings and the harmonica. Japanese composers mixed these Western elements into their songs using the pentatonic scale. In the 1960s, rock music was mixed in with Japanese music. Artists translated American music into Japanese but then they got inspired to write their own lyrics. In the 1980s, female idols came to arise, and in the 90s Japan had the second-largest music industry in the world.



I hope you all enjoyed learning about Japan and the other country that I posted about. It has been a pleasure creating this blog and I enjoyed reading all of your comments. I hope you all have a wonderful rest of the year.


Sources:

“Bugaku.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., www.britannica.com/art/bugaku-Japanese-dance.

“Bunraku-Za.” World Encyclopedia of Puppetry Arts, 30 May 2016, wepa.unima.org/en/bunraku-za/.

“Bunraku.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., www.britannica.com/art/Bunraku.

“Bunraku.” Japanese Puppet Theater, www.japan-guide.com/e/e2092.html.

“Gagaku.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., www.britannica.com/art/gagaku.

“Gagaku.” Gagaku - New World Encyclopedia, www.newworldencyclopedia.org/entry/Gagaku.

“History Of Japanese Music.” Audio Network, www.audionetwork.com/content/the-edit/inspiration/history-of-japanese-music.

“Predominant Musical Traits.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., www.britannica.com/art/Japanese-music/Predominant-musical-traits.

“Sri Lanka, Myanmar (Burma), Thailand, Cambodia, Laos, Vietnam, Indonesia, Tibet, Nepal, Bhutan, China, Mongolia, Korea, Japan.” Buddhist Music of Japan, www.personal.utulsa.edu/~john-powell/Buddhist_Music/Japan.html.

Friday, October 30, 2020

Music and Family

 

Hello everyone! I hope you all are doing well and had a fantastic week. I am very excited to talk about this week’s topic! Music is very important to me and my family. It has been a part of my family for many years. I could probably tell you a century’s worth of history of how music relates to my family, but that would take too long to type, and I know that you all have other things to do than read my blog. This week’s blog will be how my family’s influence on me sparked my interest in music and an interview from one of the people who had the most influence on my interest in music.

I am not sure if this was clear or if I mentioned it before, but I grew up in a Black Southern Baptist Church. I had a lot of family members who went to my church. My dad would always point out who was my kin and how they were my kin every time he spotted someone in the congregation and on the choir.

Every Sunday after Sunday School, my friends and I would find a pew to sit in the sanctuary. I would always get excited to hear what the choir was going to sing. I was mesmerized by how the lead singers would take charge and move the whole sanctuary by their voices. It meant even more to me that most of the lead singers were related to me and it made me want to be just like them. When I was on the choir, I secretly crossed my fingers every time our choir director said she needed someone to take the lead. I was always scared because I never thought that my singing voice could ever be as good as my cousins who led songs all the time.

One person who I always get excited to hear sing is my grandfather, Beattie Robinson. I chose to interview him because he has a lot of wisdom and experience in a lot of things. He used to be in a singing group with his brothers and continues to sing at our church on the choir. Unfortunately, I did not get him to sing in the interview, but that is because you have to hear him sing in person. He talks about how music has changed and how music is supposed to give you a feeling instead of being for fame.


I hope you all enjoyed this week's blog. I will see you guys next week!


Saturday, October 17, 2020

The History of Salsa

 Hello everyone! I’m backkkkk and I am so excited to share what this blog is about this weekend. Today, I will be dedicating this whole blog to the music genre Salsa.

Salsa is a lively Latin music genre that has influences from Cuba, Puerto Rico, and the United States. It fuses the Cuban genre Son, Puerto Rican genre Bomba y Plena and Jazz and R&B American genres. In the 1940s and the 1950s, Cuban artists would come to the United States to record their music which was around the same time R&B was becoming popular. In 1959 when Fidel Castro took control over Cuba, travel between the United States and Cuba was banned. Cuban musicians could no longer record their music in New York, but their influences still remained. The Puerto Ricans who lived in New York combined the styles the Cubans left with the American music styles. This was the birth of Salsa.

Salsa Music



Cuban Son and Bomba y Plena

Before I go more into detail about the genre of Salsa, I would like to break down Son, Bomba, and Plena. Son originated from the Eastern region of Cuba. In this genre, they use bongos, marimbula, guijad, timbales criollos, cowbells, botijuela, and claves. Son is also one of the first genres where the clave rhythm was played in public. According to Master Class, “a clave is a set of repeating rhythmic accents that are emphasized on top of the groove of a song.” If you listen to Son and Salsa you will hear that the beats are asymmetrical compared to other genres like hip hop or rock.



Clave Rhythm

 

https://www.masterclass.com/articles/learn-about-music-clave-rhythm-definition-and-examples#what-instrument-do-you-need-to-play-clave-rhythm



Bomba is a genre that is popular in Puerto Rico and it is believed to have originated in the 17th century in Loiza. Both Bomba and Son have influence from West Africa. African slaves created this genre as a way of worship since they were forbidden to worship their own gods. The lyrics expressed their anger and sadness for the way they were treated, but the music created community and moved them to dance and celebrate life. Plena is a genre that developed out of Bomba. These songs create a narrative and often express how they feel about topics in the world. You can hear the elements of all of these genres in Salsa.

Son



Bomba y Plena


Lyrics and Instruments

The instruments used in Salsa are pretty much the same instruments used in Son. According to Salsanet, the instruments used are the congas, timbales, cowbells, bongos, maracas, claves, marimba, botijuela and other instruments. Bongos and Congas are the drums that you hear in the Salsa music. The bongos are a pair of two round drums fastened together in the middle. Musicians place these instruments in between the knees and play them. Congas are big drums that produce a deeper sound. Claves are instruments that are a pair of short wooden cylinders that has a distinct sound. It can be heard amongst all of the other instruments. 


https://salsanet.com/history-of-salsa/musical-instruments/


This instrument is really influenced from Cuban Son. The marimbula is an instrument that reminds me of the mbira from Africa. The marimbula is a finger piano with circular sound holes and it originated from French black from Santo Domingo.

https://salsanet.com/history-of-salsa/musical-instruments/


Timbales are another drum pair, but it is very shallow. These drums are made of metal compared to congas and bongos. Botijuela is an instrument that is created from a potbellied jar that is usually used for storing oil or milk. This instrument has a hole carved on the side where musicians blow into the jar to create a sound.



As you can see all of these instruments have influences from Son, Bomba y Plena and African culture. The lyrics of Salsa music tells a narrative just like Plena. According to an article on Medium, Salsa music in the 70s was used to tell stories about different topics. In some songs they talk about relationship and in others they talk about issues like how poorly other races are being treated. Down below are two songs with two different meanings by Willie Colon. Plantacion adentro is a song about the poor treatment of Indians in the colonial times and La mora is a song about celebrating a beautiful woman.





Artists

Salsa music would not have had a big impact on the world if it were not for the Fania label. The Fania label was the Motown of Salsa music. It was founded by Johnny Pacheco and Jerry Masucci in 1964. This record label produced songs by Ray Barretto, Willie Colon, Ruben Blade and Hector Lavoe. This label helped Salsa become more popularized in New York and with the help of the Fania All-Star, it became even more well known. The Fania All-Stars performed at various places and even had concerts sold out in Puerto Rico, Panama and Chicago.




Salsa is a genre that took over the world. Its lively music makes everyone happy and gets everyone dancing. After researching this information, I am moved to listen to more Salsa and maybe take a dance lesson or two.

I hope you all enjoyed this weeks blog and I will see you all later

 

Sources:

Bache, Brendan, et al. “An Introduction to Latin Music: Salsa History.” Liberty Park Music, 17 Feb. 2020, www.libertyparkmusic.com/latin-music-salsa-history/.

Bush, John. “Fania All-Stars: Biography & History.” AllMusic, www.allmusic.com/artist/fania-all-stars-mn0000795130/biography.

Delgado, Abel. “Salsa Is Not About Gritty Barrio Stories.” Medium, Medium, 24 June 2016, medium.com/@abeladelgado1/salsa-is-not-about-gritty-barrio-stories-6c85d7fe67ca.

“History and Development of the Cuban Son ~ Salsa Music History, Styles and Rhythmic Patterns ~ Www.justsalsa.com.” Just Salsa, www.justsalsa.com/salsa/music/son/.

“History of Salsa Music & Dance.” SalsaGente, 11 May 2019, www.salsagente.com/history-of-salsa-music-dance/.

MasterClass. “Learn About Music: Clave Rhythm Definition and Examples - 2020.” MasterClass, MasterClass, 2 Oct. 2020, www.masterclass.com/articles/learn-about-music-clave-rhythm-definition-and-examples.

Pethick, Kris. “How Bomba Became Puerto Rico's Most Popular Genre.” Culture Trip, The Culture Trip, 15 Feb. 2018, theculturetrip.com/caribbean/puerto-rico/articles/bomba-in-puerto-rico-what-is-so-interesting-and-captivating-about-it/.

“Puerto Rican Bomba and Plena: Shared Traditions - Distinct Rhythms.” Smithsonian Folkways Recordings, folkways.si.edu/puerto-rican-bomba-plena-shared-traditions-distinct-rhythms/latin-world/music/article/smithsonian.

“Salsa - Paired Dance - GCSE Music Revision - BBC Bitesize.” BBC News, BBC, www.bbc.co.uk/bitesize/guides/zt6bgk7/revision/3.

“Salsa.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., www.britannica.com/art/salsa-music.

“Salsa.” PBS, Public Broadcasting Service, www.pbs.org/wgbh/latinmusicusa/music/salsa/.

Study.com, study.com/academy/lesson/salsa-music-history-instruments.html.


Friday, October 2, 2020

Cool Stuff: Africa

 Hello everyone! I hope your week was fantastic, and you did phenomenal on your midterm exams if you had them. This week in class we explored the music and culture of some countries in Africa. As we were talking in class, there were some things that I wanted to explore further and share with you guys!

One very interesting instrument that played in West Africa is the Kora. The Kora is an instrument that is played by Griots or Jali, and they use them to tell stories about the past. The Kora originates in small Mandinka areas in the 1700s. It is now a very popular instrument in the Gambia River Vallery amongst the Mali people. This instrument is mainly used by males as most males are Griots, and it is an instrument that has an amazing structure. It is an instrument that is bilateral and it has a bunch of string.  It has a very long neck, and it looks like it could be played like a guitar. The Kora is played in an upright position and both hands are used. The thumbs and the index fingers are used to pluck the strings and the other hands are used as support. Down below is a pretty cool song that has the Kora playing with a guitar.



Griots are another aspect of the West African culture that I was really interested in. Griots are the storytellers, musicians, and oral historians in society. They have been around since the 13th century from the Mali Empire. These historians keep the traditions and history alive and train all of their lives to uphold a big responsibility. Griots were responsible for keeping a record of births, deaths, and marriages within the village. Not anyone can become a Griot. You have to be born into the position and train for many years. Griots use instruments like the Kora to tell the history of their people. Once a person who is training to be a Griot master many songs about their heritage, they are given their own instrument. The balafon and the ngoni are two other instruments used during the Griots storytelling, and they also sing too.

https://africaimports.com/balafon-full-18-21-keys

BALAFON




https://www.google.com/url?sa=i&url=https%3A%2F%2Fnl.pinterest.com%2Fpin%2F512425263829117101%2F&psig=AOvVaw1bcoh7N0xrTdF4h8YWjUZo&ust=1601780742995000&source=images&cd=vfe&ved=0CAIQjRxqFwoTCOja57u4l-wCFQAAAAAdAAAAABAD

NGONI


Griots are not the only people who sing in this culture. The Isicathamiya choirs are a choir made of 10-25 males who put on amazing performances. It is an a capella genre that originated in South Africa through the Zulu culture. This genre has been existence at least since 1890 when it was mentioned in a  newspaper article from the Ilanga Lase Natal. Isicathamiya was mainly prominent among Migrant Workers during the Apartheid era. Now, Isicathamiya choirs have become so popular that they have competitions. They have amazing performances and they sound so lovely. Please enjoy this video of an Isicathamiya competition below and if you want to skip to the performance, please skip to 1:50. 


I hope that you found these as interesting as I did. Please let me know what you think in the comments below. I hope that you all will have a great week next week and I'll see you soon! 


Sources:

https://thekoraworkshop.co.uk/about-the-kora/history/

https://www.britannica.com/art/kora-musical-instrument

https://theculturetrip.com/africa/mali/articles/what-is-a-griot-and-why-are-they-important/

https://baslerafrika.ch/contents/isicathamiya/

https://ums.org/2010/01/14/what-is-isicathamiya/

Friday, September 25, 2020

Music and Gender

 

Hello! I hope everyone is having a good week so far. For this week's blog, we are going to be discussing the effect gender has on music preferences. 


In your playlist, have you noticed there is one gender that you listen to more than the other? I have more male artists in my playlists, and they sing songs about being successful, break ups, promiscuity, and being in love. If you have more male artists in your playlist, you may be wondering why. Look in the music industry, and you will see the males dominating in most genres. Also, in each of these genres, you will see most of the songs are about love. I am not an expert on love and relationships, but it seems to me that music is a way for guys to attract their love interests. As I look through my playlists, most of the older songs are about love. One of my favorite songs, "All I Do Is Think of You" by Troop, is about how the singer has a crush on a girl at school. As I listen to the song, I feel as though I am the girl that he is trying to get. 



R&B is a genre that mainly has songs about love and heartbreaks. This is my favorite genre because it makes me feel like I am the person the artist is singing to just like in the song "All I Do Is Think of You." It seems like more women like listening to R&B and Pop genres, and men seem to listen to more Rap and Rock songs. At my high school, I remember overhearing a conversation a group was having about what type of music they listen to. One of the girls in the group said that she listened to a rap artist that the guys liked. The guys were very shocked.


Stereotypes about different gender listening to certain genres also affect women in the music industry. Usually, women in the music industry are singers in the Pop and R&B genres. A few years ago, it was rare to see women in the Rap industry, but now, you will see that women rappers are becoming more common. Unfortunately, women in the rap industry do not get the same respect as men.

 

The music industry is an industry that is dominated by males, but women are slowly creeping behind them. I believe that more women will be in the industry and they may dominate the males in the future.

What are some of your favorite songs and how what do you think about music and gender?

I will see you guys next week!


Friday, September 18, 2020

Cool Stuff: South America

 

Hello, everyone! I hope you all had a fantastic week. This week in class, we learned about the Andean Natives that live in South America. I enjoyed learning about their culture and I thought it would be fun to explore musical aspects in South America. I have always wanted to visit and enjoy the southern side of the Latin American culture. The first stop that we are making today is Rio de Janeiro, Brazil.

Carnival is a well-known festival that happens every year in Rio de Janeiro, Brazil. It is a fun festival with parades and dancing that many people celebrate. Carnival was originally a food festival in the Catholic faith, and it was brought over from Portugal. It was a festival that signaled the start of Lent, a 40-day period of fasting. The first Carnival festivals were elegant balls that were hosted in Portuguese elites’ houses. They looked down upon the lower classes and African descendants and Carnival was segregated for many years. It was until the 20th century when Carnival was desegregated, and the people celebrated together. Many of the Carnival festival that we know today is influenced by African culture. The parades were to ward off evil spirits and the feathered costumes symbolized rebirth and the rise of the spirits. Here is a video that goes into a little bit more about the origin story of Carnival if you are interested.



Our next stop we will be taking this week is Buenos Aires, Argentina. The Tango has a African, European and native Argentinean influence. It was a very popular dance in the the late 1880's among poor immigrants in Buenos Aires. The Tango was influenced by the emotion of young immigrant men who missed their families and wanted a better life for themselves. It is believed that Tango developed from African-Argentine dance venues, like bars and dance halls, from young immigrant men called compadritos. Tango was looked down upon in the upper class and they tried to keep it confined with in the lower class community. Now, Tango is a dance that is know and appreciated by many countries around the world.



Our last stop for the week is Medellin,Colombia. One artist who I am starting to like is Karol G. She is from Colombia and is a very versatile Latin American artist. Karol G always was passionate about music. She started off as a reggaeton artist and came out with her first single at the age of 16. She gained more popularity when she competed in El Factor X which is the Colombian version of The X Factor. She has collaborated with other Latin American artists like Anuel AA, Daddy Yankee, Nicky Jam, Bad Bunny Ozuna and J Balvin and also Hip Hop/Rap artists like Nicki Minaj and Pop Smoke. She won the 2019 Best Song at the Premio ASCAP ceremony and was nominated for three Billboard Latin Music Awards. Here are a couple of songs that are sings. Also, beware of Tusa because it is explicit.





Well that's all for this weeks blog. I hope you enjoyed visiting South America and let me know what do you think?

Sources:

Argentine Tango -- A Brief History, www.tejastango.com/tango_history.html.

“Brazilian Musical Instruments " Natal.” Natal, 28 June 2019, www.natalriograndedonorte.com/brazilian-musical-instruments/.

Brown, Sarah. “How Did Brazil's Carnival Start?” Culture Trip, The Culture Trip, 4 Jan. 2018, theculturetrip.com/south-america/brazil/articles/how-did-brazils-carnival-start/.

“Carnival History: Brazil Carnival.” Carnival History | Brazil Carnival |RioCarnaval.org, www.riocarnaval.org/brazil-carnival/carnival-history.

Collar, Matt. “Karol G: Biography & History.” AllMusic, www.allmusic.com/artist/karol-g-mn0003495582/biography.

“Tango History - Origin and Characteristics of Tango.” History of Tango - Origin and Characteristics of Tango, www.dancefacts.net/tango/history-of-tango/.

“Who Is Karol G? Everything You Need to Know.” Karol G (Carolina Giraldo Navarro) - Bio, Facts, Family Life of Colombian Singer, www.thefamouspeople.com/profiles/karol-g-43626.php.


Friday, September 11, 2020

Music and Religion


Hello everyone! This week we are going to talk about my experience with music and religion. Growing up in a Southern Black Baptist Church the belief of God and Jesus has been instilled in me ever since I was a child. If you come to our church, you will see that music is an essential part of our worship. We believe that God gives everyone talents or gifts that are meant for us to use to worship and praise Him. Music is one aspect that brings many gifts together to create a joint worship with musicians and people with talents that are not musical.


https://www.quotemaster.org/religion+of+music#&gid=1&pid=7


During our church service, you will hear at least five or six different songs. Some songs we sing together as a congregation, some songs would be sung by the choir and other songs are instrumentals.  Even though there are different types, all songs are meant to bring us closer to God spiritually through the lyrics. Songwriters compose their songs based off of scriptures from our Holy book called the Bible. We believe that Bible gives us God’s spoken word and lessons. One song called “They That Wait” by Fred Hammond is a song based off the scripture Isaiah 40:31 KJV. It is an upbeat song that encourages people to keep pushing through their problems. It references this scripture the whole song as it tells its listeners to wait for the Lord because he will give you the strength to endure when you feel like you cannot push through.



The next video is a clip from the Mount Zion Baptist Church Choir. In this video you will see the whole church singing a hymn called “How to Reach the Masses”. In the last song, the congregation would be sitting down listening to the choir sing but in this video, everyone is standing up singing. You will see a man standing in front of the choir in the front facing the audience conducting his hands to the music. He is called the choir director and he directors both choirs and the whole church when they sing hymns. You will also hear instruments that are different from the first video. In Baptist churches, the most common instruments you will see are pianos, organs and drums, but it is not rare to see other instruments. We believe that any instrument can be used if it will please God.

There are also slow songs too. One of my favorite song is called “Imagine Me” by Kirk Franklin. In this video, you will see the choir director playing the piano and most of the congregation is sitting down. Sometimes, people will stand up clapping and the choir director will try to engage the audience to sing with the choir.


I hope that you all enjoyed this week’s blog. I am very interested to see what you think about this musical culture. I am also interested to see how music is influential in your religion and if you do not have one how it is influential in your life. I will see you guys next week!







Our Final Destination: Japan

Hello, you guys! It’s been a while, but I am finally back. Unfortunately, this will be my last post on The World's Ensemble. The last pl...